Four generations of a Jewish family live under one roof. Despite living next door to a synagogue, the Abramovich’s, with the exception of Grandmother Musa, are not strong on Jewish tradition, religion or identity: Boris’ business is buying, selling (and eating) pork. Meanwhile his son, David hides his origins from his friends, and his wife, Alla has no idea how much she resembles the stereotypical Jewish mother. Everything changes one day when Boris is struck by lightning. While unconscious, he is visited by the spirit of Haim, a long dead and somewhat obnoxious family ancestor. Haim reveals that a long time ago he committed a terrible sin, which resulted in a curse being placed on the entire family. It turns out that only Boris can remove the curse – by setting free Haim’s soul!

Bill Bellamy is back...and this time he's making a statement! Over the last decade, Bill Bellamy has been a staple in the world of comedy. The man, who coined the popular 90's phrase "Booty Call," has made several appearances on Def Comedy Jam, hosted MTV's Beach House and starred alongside Jamie Foxx and Al Pacino in Any Given Sunday. Bellamy's "in your face" brand of comedy has made him a successful touring act with hundreds of sold-out shows nationwide.

An influencer couple run afoul of a terrifying threat while camping in the Australian wilderness.

These dueling one-act comedies highlight the work of playwright John Mortimer. In "The Dock Brief," an ill-prepared attorney is put to the test when his client confesses to killing his wife. In "What Shall We Tell Caroline?" a father with good intentions tries to protect his wife and daughter from the bad things in life.

An ex-cop finds himself caught up in a battle between Japanese mobsters and local gangland thugs and discovers that he was framed for wrong-doings by a corrupt cop.

Modern day western about two very different brothers, who join forces to clear their family name, from the shadow of their dead brother's blame for a bloody unsolved robbery.

“My paintings are not about what is seen. They are about what is known forever in the mind.” – Agnes Martin “'‘I’m very careful not to have ideas, because they’re inaccurate,’ the artist Agnes Martin says in Mary Lance’s touching documentary about her, but it’s a lie. Ms. Martin was full of ideas, and she dispenses them engagingly in the course of the film… She talks about her early childhood on the plains of Saskatchewan. And by the end of the film, Ms. Lance has gently led you to connect that comment with Ms. Martin’s signature style of work: broad horizontal bands of subtle hues Her remembrances of her years in New York and New Mexico are lovely to hear, as are her bits of philosophy.” – Neil Genzlinger, The New York Times

When Dana and Curtis' 16-year-old daughter, Alicia, sneaks out of the house to attend a party, a bout with teenage rebellion quickly escalates into a widespread search party spearheaded by Dana and the police.

A female singing group from the '60s reunites for a TV special.

Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can escort Amelia to every musical event in the city. The trouble begins when he cannot meet her one night and Tony goes in his place. Tony believes that Julius and Amelia are a couple and then son Paul thinks that Tony and Amelia are a couple as he is sending her the money. The worst part is that Amelia might leave classical music for swing music with classmates Dusty, Joy and the band.